Keiron self biography format
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Epsilon Reveals Cannes Sales Slate, Headed by Ulysses’ ‘Mimi&Harold – Out of Frame’ (Exclusive)
Heading the slate is animated feature film “Mimi&Harold – Out of Frame,” produced by Ulysses Filmproduktion, the company behind international sales and box office hit “The Amazing Maurice,” as well “Niko – Beyond the Northern Lights” and “Ooops! The Adventure Continues…”
The film follows Mimi, a scrappy crossbreed dog, who falls out of an old painting and is lost in the real world of a museum, the home of Harold, an art-loving but snobbish dog. Armed only with her determination and Harold’s friendship, Mimi jumps into paintings to find her beloved owner – and Harold becomes the hero he never dreamt of being.
On Friday, “Mimi&Harold – Out of Frame” won the German Animation Screenplay Award, for writers Giles Newand Keiron Self, in Stuttgart,...
See full article at Variety Film + TV
Top 5 Titles Coming to BritBox in December 2023: 'Archie,' 'Annika' Season 2, More
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Jumpin’ Jack Flash: David Litvinoff and the Rock’n’Roll Underworld review – mover, shaker, myth-maker…
Who was David Litvinoff? To certain aficionados of London in the 1960s, his is a fabulously enigmatic name who connects discrete worlds that collided to create the seismic social upheavals of that decade. He knew the Krays and the Stones, Lucian Freud and Peter Rachman, Eric Clapton and George Melly, and a whole gallery of aristocrats, rock stars, artists and criminals.
He contributed to the William Hickey gossip column in the Daily Express, was doorman at a Soho clip joint, and was “dialogue adviser” and “technical consultant” on Donald Cammell and Nicolas Roeg’s cult classic Performance, in which Mick Jagger and James Fox trade psychic places as rock god and gangster. But more than anything he was a raconteur, a brilliant storyteller and fabulist who played court jester to the Chelsea set of the 1960s.
Keiron Pim has set out to write the definitive biography of a man who was the very definition of an unreliable narrator. Although he dreamed of being a writer, Litvinoff left very few written words. What survives him are the stories, the myths, his strange and unlikely connections to everyone who was someone.
As a consequence, as Pim readily acknowledges, it’s extreme
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