Kang hee-seon kim biography
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Kim Hee-sun
South Korean actress (born 1977)
For other people named Kim Hui-seon, see Kim Hui-seon (disambiguation).
In this Korean name, the family name is Kim.
Kim Hee-sun (Korean: 김희선; born June 11, 1977) is a South Korean actress. She rose to fame in the 1990s with leading roles in television series such as Men of the Bath House (1995), Propose (1997), Wedding Dress (1997), Forever Yours (1998), Mister Q (1998), Sunflower (1998), and Tomato (1999). Kim also starred in the martial arts films Bichunmoo (2000) and The Myth (2005), historical medical series Faith (2012), teen series Angry Mom (2015), melodrama The Lady in Dignity (2017), and fantasy series Tomorrow (2022).
Career
[edit]Kim Hee-sun won the Fair Face Beauty Contest in 1992 when she was a middle school student, and began modeling in teen magazines. In 1993, Kim, then a high school sophomore, appeared in a commercial for Lotte Samkang's crab chips, which led to her acting debut in Dinosaur Teacher;[4] and an MC gig for music show Live TV Music 20 that same year.[5][6]
She enjoyed peak popularity in the mid-to-late 1990s, starring in one hit Korean drama after another.[7] These include Men of the Bath House (1995) wri
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Biography
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Restricted mobility in practical life encouraged Kim to explore imaginative escapes through photography. Originally trained in painting at the Maryland Institute College of Art, she became intuitively drawn to the medium in her final year at college. Instead of conventional documentation, she would come to find an interest in digitally manipulating her images and creating surreal scenes with a dreamlike appearance. In Delicate Nests, a patch of sky is caught within a frame formed by tree branches. One single palm tree floats above the clouds in Dreamers Dream.
Both pictures are part of an ongoing series titled Street Errands. Beginning in 2016, Kim has been collaging photographs taken during her daily life in New York with those from her trips to other parts of the country. Although her works involve a process of merging and altering, they also embody an element of spontaneity. Instead of planning ahead, Kim often captures small details and mundane scenarios that attract her attention. She then works from an accumulated archive to select and fuse images, an experience that liberates her from the confines she has to endure in real life.