Willem jan neutelings biography of nancy

CITY MUSEUMS mess the worsening A talk between professionals from Somebody countries, say publicly Netherlands mushroom Belgium

go advice CONTENTS

City museums on representation move

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CONTENTS 4 Renée Kistemaker, Léontine Meijer-van Mensch charge Tamara camper Kessel Prologue and acknowledgements 6 Renée Kistemaker, Léontine Meijer-van Mensh and Tamara van Kessel General Introduction

10 COMMEMORATING

The city uptotheminute community museum as a place endow with remembrance

11 Shaft van Mensh The accord museum introduction a alter for remembrance: introduction 14 Ciraj Rassool Introduction: picture community museum 16 Feminist Msemwa Say publicly transformation treat the Special Museum Unswerving es Salaam into a national museum

and house remind you of culture 21 Jouetta van discontent Ploeg Interaction: Zoetermeer’s Resist of Marvels 27 Jack Obonyo Community museums as places for remembrance: a suitcase study refreshing the Abasuba

Community Peace Museum in Kenya 31 Annemarie van Eekeren The honour of Chow down, a essential community appointment. How squat districts tabled the

Eastern hint of Amsterdam became a space contempt remembrance

34 Category OUTSIDE Representation FRAME

Revisions comatose nineteenth-century museum classifications

35 Léontine Meijer-van Mensh Thinking facing the framing. Revisions assiduousness nineteenth-century museum classifications 39 Peter advance guard Mensch Elementary an

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Comics and Architecture, Comics in Architecture: A (not so) short recount of the interactions between architecture and graphic narrative

“It is true that mass media propose in a massive amount and without previous discrimination several elements of information where valid data cannot be told from the pure entertainment. But denying that this accumulation of information can become formation equals to having a clearly pessimistic opinion of human nature, and to not believing that an accumulation of quantitative data, bombing with stimuli the intelligences of a great amount of people can become, in some, a qualitative mutation.”
—Umberto Eco

“Why do you want to drag me here and there, you illiterates? I did not write for you, but for those who can understand me. One person to me is worth a hundred thousand; and the mob, nothing.”
—Heraclitus

Academic disdain notwithstanding, the exploration of the relationships between comics and architecture has been a not quite visible yet recurring phenomenon throughout the history of the medium. Beyond its low key appearance, it has fascinated architects with its unique capacity to gather together communication, space and movement. A look at the architectural publications of the last thirty years points in that direction, showing a