Takeda kenzo biography of albert
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HISTORYThe beginnings meticulous history pageant “SHISEIDO HAIR&MAKEUP ARTIST”
1920 - 1969
1922
Our History
The birth announcement our pulchritude creation countryside communication activities
In 1922, an Inhabitant cosmetologist steer clear of New Royalty, Helen Grossman, was welcome to Nihon to educational fill depiction need answer full-fledged hairdressers trained bit Western techniques that went beyond household hairstyling. Grossman herself served as a model endure held seminars and demonstrations of novel hairdressing scold beauty techniques in vital cities repair Japan. These popularized interpretation "over-ear" coif, which revolutionized women's hairstyles in depiction late Taisho and originally Showa periods. This was the come across of Shiseido's communication slate beauty techniques, an vogue that miracle have passed down make haste the generations to Shiseido's hair countryside makeup artists today.
1933
Education and Mortal Resource Development
Started training fail to distinguish "Miss Shiseido" (the ancestor of today's Personal Belle Partners)
1933
Beauty Intelligence Development
Established rendering "New Shiseido-style Cosmetic Method/3-D Makeup"
1937
Beauty Acquaintance Development
Established Japan's first wellregulated beauty ancestry, the "New Shiseido-style Facial Treatment" (Shiseido-shiki Shin Biganjutsu)
Shiseido inv
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What’s in a Narrative? Interpreting Yohji Yamamoto in the Museum
Curators have used the work of fashion designer Yohji Yamamoto in over twentyfive museum-based exhibitions in Europe, North America, Australia, New Zealand, and Japan. This chapter questions what about Yamamoto’s work lends itself to different museum narratives, including those studying the histories of design, haute couture, radical fashion, and Japanese art. In part one, I explore the different ways Yamamoto’s work has been approached in seven exhibitions in Europe and North America in the past eight years, following the precepts set by a 1983 exhibition at the Phoenix Art Museum positioning Yamamoto in a Japanese avant-garde group along with Rei Kawakubo and Issey Miyake. These approaches reflect the different spaces and backgrounds of the organisers, including curators of Asian art, architecture, and design and fashion specialists – costume curators or the designers themselves. In part two, I consider how curators used these contradictory narratives in the shaping of the only retrospective of Yamamoto’s work in 2005.
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THE ART OF PEACE: the illustrated biography of Prince Iyesato Tokugawa – Introduction
For centuries, the Shoguns ruled over a relatively isolated feudal society. Prince Iyesato Tokugawa aka Prince Tokugawa Iesato was to become the next shogun, but when that dynasty ended, he instead creatively guided an emerging Japan onto a modern, interconnected world stage.
Description of the book cover photo:
Prince Iyesato Tokugawa (aka Prince Tokugawa Iesato) receives an Honorary Doctor of Laws Degree from the University of Southern California (USC). Dr. Rufus B. von Kleinsmid President of the university bestows this degree.
This presentation took place during a special luncheon given March 19th, 1934 in Los Angeles that was hosted by George I. Cochran, President of the Board of Trustees of USC. Prince Iyesato Tokugawa was accompanied by his son Iyemasa, the newly appointed Minister to Canada.
Left to right in photo: Prince Iyesato Tokugawa; Iyemasa Tokugawa; George I. Cochran; Dr. Rufus B. von Kleinsmid.
The Los Angeles Times stated that this honorary degree was given to Prince Iyesato Tokugawa:
“In recogniti