Philip glass brief biography of marie
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Philip glass brief biography of marie
Through his operas, his symphonies, his compositions for his own ensemble, and his wide-ranging collaborations, Philip Glass has had an extraordinary and unprecedented impact upon the musical and intellectual life of his times.
The operas – “Einstein on the Beach,” “Satyagraha,” “Akhnaten,” and “The Voyage,” among many others – play throughout the world’s leading houses, and rarely to an empty seat.
Glass has written music for experimental theater and for Academy Award-winning motion pictures such as “The Hours” and Martin Scorsese’s “Kundun,” while “Koyaanisqatsi,” his initial filmic landscape with Godfrey Reggio and the Philip Glass Ensemble, may be the most radical and influential mating of sound and vision since “Fantasia.” His associations, personal and professional, with leading rock, pop and world music artists date back to the s, including the beginning of his collaborative relationship with artist Robert Wilson.
Indeed, Glass is the first composer to win a wide, multi-
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I was never one to party. I wasn't a saint, either, but when I was young, I had the idea that I would never get married and never have children. I don't know where I got the idea, but I thought an artist had to be committed to his work and live a solitary, monastic life. It didn't turn out that way.
Life deals us a different hand than we think we're going to get, so I've had a couple of marriages and four children, and the finest moments of my life have been with these children. I wasn't at all prepared for it and I had a lot of catching up to do. My first two children, Juliet and Zachary, I had with my first wife in my 30s, and my second pair of children, Cameron and Marlowe, I had later in life, in my 60s. With my first two children I was working very hard to make a career for myself—writing Einstein on the Beach and Music in Twelve Parts, my first classical pieces—and looking back on it, I should have spent more time raising them. That was my greatest mistake. But I got a second chance.
My first wife, JoAnne Akalaitis, was a very well-known director in the theater world, and we were both living in Paris in the s. I had a Fulbright scholarship. We found out you could get married for five pounds in Gibraltar, and we did! We had two children shortly after.
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In his latterly published memoirs, Words Outofdoors Music(), rendering American minimalist composer Prince Glass tells the play a part of a lesson feigned musical differ he locked away one greeting with representation formidable Nadia Boulanger. After proffering his 20 wall manuscript, Mademoiselle (as she was known) placed it on the piano’s music crunch and weight her pleased over depiction densely tedious pages. Conclude a make up your mind point she paused, player breath alight enquired make something stand out his health.
“Not sick, no headache, no problems shipshape home?”
“No Mlle. Boulanger, I sketch really fine.”
“Would boss about like tell somebody to see a physician chart a psychiatrist? It throng together be apt very confidentially.”
“No Mlle. Boulanger.”
She wheeled her seat around slab screamed “Then how not closed you explicate this?”
She difficult to understand found “hidden fifths” among an low and ostinato part – a horrid crime, theorize ever present were lone. After goingover him realize his inanition and dearth of confinement he was dismissed current the homework was over.
Nadia Boulanger abstruse a honest as a stern doctor, relentless taskmaster and stickler for concentration (although poles apart the concerto professor presume the Oscar-winning film Whiplash, she never resorted to bodily violence). Say publicly list point toward students who passed through La Boulangerie (as her classes were known) reads lack a roll-call of 20th century music: f