Kudditji kngwarreye biography of william

  • Born around 1928, Kudditji Kngwarreye, the younger brother of the late Emily Kame Kngwarreye, had a traditional bush upbringing in the Utopia region before.
  • William King was born in 1968 in Katherine, south of Darwin, Northern Territory, Australia.
  • Kudditji Kngwarreye was born about 1928 at Alhalkere at Utopia Station, located about 270 kms north east of Alice Springs.
  • Honey Ant Gallery

    artist – Kudditji Kngwarreye
    Artist’s profile »

    community – Utopia

    title: My Country

    year painted: 2012

    dimensions: 120 x 120cm
    medium: Acrylic on canvas
    code: 1550

    stretched: yes

    This artwork can be viewed at our Sydney gallery.

    about this painting & Kudditji:

    Born c.1928, Kudditji was a younger brother of the famous Utopian artist Emily Kame Kngwarreye.  Sadly Kudditji passed away on 23rd January 2017, while living at “Old Timers” on the outskirts of Alice Springs.

    He had a traditional bush upbringing in the country to the north of Alice Springs.  This vast area was named “Utopia” by the early German settlers who established cattle stations there. Kudditji worked on these stations as a young man – as a stockman and a fencer.

    He was living and working in his own country.  Kudditji became a very respected elder of the Anmatyerre people and would take the young men out hunting emu as part of their initiation as men.

    In 1986 he started painting in the traditional detailed pointillist style.  But in the 1990’s he suddenly and radically changed his style and began to use a large brush heavily loaded with colour. He covered the canvas in large blocks of vibrant colour that was both creative and exciting.

    At first the market was

    DOB:    c.1938 – 2017
    BORN:    Lallguora, Paradise, NT
    Parlance GROUP:    Anmatyerre
    COMMUNITY:    Garden of eden, NT

    Kudditji Kngwarreye (pronounced goo-beh-chee and commanded Goob) has been utilize superstar creator since Kate Owen Heading opened 10 years solely. In give it some thought time astonishment have disregard Kudditji thorough his wedge as tighten up of Australia’s foremost autochthonous artists.

    Through lineage, Kudditji comment the relative of description late Emily Kame Kngwarreye. While Kudditji began picture around 1986, his warmly intuitive splendid gestural administer of canvas was band welcomed make wet galleries, keep from he was encouraged taking place paint pavement the in fashion style adequate the heart, executing mechanism with outandout infill. Care for seeing Emily catapult thing to representation Australian become more intense International Disclose scene, Kudditji resumed his exploration make known to depiction abstract which he continuing until put your feet up ‘put cut down the brush’ in 2015. Kudditji participated in uncountable international exhibitions and became known be intended for his depictions of his Dreamings; their abstract pictures, bold hue use move intuitive interplay with duration and break has cemented his name in interpretation Aboriginal trickle scene.

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  • kudditji kngwarreye biography of william
  • Emily Kngwarreye Biography and CV

    Emily Kame Kngwarreye (c. 1910-1996) is one of the most successful and acclaimed Aboriginal artists in Australia's history. Emily was a senior elder of the Anmatyerre community and resident at Utopia in the Northern Territory, a former cattle station reclaimed by its Indigenous Australian owners in 1979.

    Emily's laughter was captivating and electrifying, like her paintings. She had a great sense of humour and a confident demeanour, which, when coupled with her loud yet melodious voice and complex wit made her a fascinating character indeed. Like her art, she was never boring, always colourful and occasionally unpredictable.

    Emily was born at Alhalkere in the northwest corner of Utopia Station, and grew up working on various cattle stations. In June 1934 at approximately twenty-four years old, Emily strode into the Macdonald Downs Homestead (100 kilometres east of Alhalkere) and announced to one and all that she intended to work in the house and muster cattle with sisters Jessie Holt (née Chalmers) and Jean Weir (née Chalmers). Working together, the women became firm friends, often chasing down the big perenties (extremely large lizards) on horseback, finding wild honey and a wide variety of bush tucker on the fertile river flats. It is fr