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Obituary: Dahlov Ipcar
Dahlov Ipcar
1917-2017
Better known in in America than Britain but still with many publications over here, Dahlov Ipcar was one of the most distinctive illustrators of her time. Regularly published between 1945 and 1986, she saw herself as belonging to a movement subsequently known as mid-century modern. Breaking away from previously accepted conventions, her brightly coloured illustrations with their stylised static surroundings reached back into folk art while also looking forward to ground-breaking experimentation.
Ipcar grew up in New York’s Greenwich Village. Her father William Zorach was a distinguished sculptor and her mother Marguerite an equally celebrated artist. Always painting as a child she was encouraged by her parents who believed it better for her find her own way rather than go for any formal artistic training. Marrying aged 19, she and her husband started their own dairy farm, working hard but with Ipcar continuing to produce pictures for her own pleasure. But she was soon spotted, having a solo exhibition in New York’s Museum of Modern Art in 1939 when she was only 21.
Her publishing breakthrough came in 1945 when she provided the illustrations for Margaret Wise Brown’s The Little Fisherman. Still in print, this pi
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Ipcar, Dahlov
Dahlov Zorach Ipcar (1917- 2017) was a resident of Robinhood, a village in the town of Georgetown. An author, artist, and illustrator of children’s books, she was born November 12, 1917 in Windsor, Vermont. She spent her early years in New York’s Greenwich Village.
Her parents were the artists Marguerite and William Zorach. They encouraged their daughter from infancy to express herself creatively. Not fond of formal art education, they took her to museums and encouraged her to follow her instincts.
Married to Adolph Ipcar in 1936, she settled with her husband at Robinhood Farm.
According to a publication of the Portland Museum of Art on the occasion of the exhibition Dahlov Ipcar: Seven Decades of Creativity,
Her first major paintings, executed in the late 1930’s, were celebrations of rural life – farmers haying, dairying, and harvesting ice – painted in a style influenced by such diverse sources as Pieter Brugel’s depictions of peasant life, Diego Rivera’s murals, and the work of American regionalist painters.
In 1945 she illustrated The Little Fisherman by Margaret Wise Brown and soon after began writing and illustrating her own works.
The Art of Dahlov Ipcar (book cover)
By the 1960’s Ipcar shifte