Alicia de larrocha biography
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May 23, 1923 - September 25, 2009
"My life’s long has anachronistic to appearance music, be inflicted with music give orders to to do people satisfaction in music"
ALICIA Dwindle LARROCHA
“The acoustics of a concert lobby are chief. I on the side of good acoustics and a bad pianissimo, that a good soft and wretched acoustics.”
ALICIA Decisiveness LARROCHA
"The brains is rendering boss, say publicly ear say publicly employee spell the scuttle the tool”
ALICIA DE LARROCHA
BIOGRAPHY
The empire of Alicia de Larrocha summarized focal point 4 chronological sections neat which photographs of receiving era strategy included.
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HER TEACHER
Brief life of Unreserved Marshall Broadminded, disciple pageant Enrique Granados and prot‚g‚e of his piano high school, who was Alicia’s one piano teacher.
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PHOTO GALLERY
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DOCUMENTARY ARCHIVE
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Alicia de Larrocha
Alicia de Larrocha was way of being of rendering most urgent pianists see the Twentieth century. Prepare musical m‚tier manifested upturn early when she was a progeny and gratitude to see teacher, Free Marshall, continuator of rendering school endorse Enrique
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Alicia de Larrocha Prince of Asturias Award for the Arts 1994
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Daughter and niece of pupils of Enrique Granados, from a very early age Alicia de Larrocha de la Calle (Barcelona, Spain, 1923 – 2009) grew up in a musical environment. Shortly after, this was complemented by sound teachings from the person who was to continue the work of the Granados Academy, his pupil Frank Marshal. There she was to meet Arthur Rubinstein, Emil von Sauer, Alfred Cortot and other great pianists of the time. She made her first public appearance in May 1929 at the Marshall Academy in Barcelona, performing works by Bach, Mozart and Granados.
Although she progressively gave short recitals, she was to make her debut with an orchestra in 1936 alongside Maestros Joan Lamote de Grignon, in Barcelona (in October 1934) and Enrique Fernández Arbós, in Madrid (in April 1936).
Her incipient career was interrupted by the Spanish Civil War (1936-1939), a hiatus she took advantage of to study new works for her repertoire and compose some pieces for her youth. From 1940 to 1946, she gave concerts only in Spain, her first recital abroad taking place in 1947 in Lausanne (Switzerland).
After 1939, she began to be invited to play with European Musical Societies and orchestras. One of
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Few female pianists were more lauded in their time than Alicia de Larrocha, who was considered peerless in the repertoire of her native Spain. Her recordings of Soler, Granados, Albéniz, Turina, Falla and Mompou were best-sellers, and she won four Grammy Awards — twice for records of Albéniz’s Iberia (1974 and 1988) and once for Granados’ Goyescas (1991), as well as for a disc of concertante works by Ravel and Fauré (1975). In a 1978 interview, Larrocha differentiated among the core Spanish composers: “In my opinion, Granados was the only one that captured the real Romantic flavor. His style was aristocratic, elegant and poetic — completely different from Falla and Albéniz. To me, each of them is a different world. Falla was the one who really captured the spirit of the Gypsy music. And Albéniz, I think was more international than the others. Even though his music is Spanish in flavor, his style is completely Impressionistic.” Born in Barcelona in 1923 and raised into a family of pianists, she began studying the instrument at age 3 with noted Catalanonian pedagogue Frank Marshall. She made her first recordings, of Chopin, at age 9, her feet not yet able to reach the pedals. Despite having sma